Articles about Chinese printmaking
About Reduction Woodblock Print (Tang Li)
Beautiful, rich and mystical -situation of prints in Yunnan (Wang Qi)
History of the modern Chinese woodblock print
Images of the Modern Chinese woodblock prints
Information on important subjects about Chinese prints
Technical terms about Chinese prints
New Chinese Woodblock Printing
A Chinese print exhibition by Art Ein Harod
Chinese Printing-the Chinese Printing Method
Survey on Abstract Painting (Chu Tehchun)
Touching, the amorous feelings of the North (By Zhang Jiashan)
Self statement of his own paintings (Hao Ping)
Clouds across the Sky (Zhang Ji)
My Sentiment For Mountain (Ma Li)
My Autobiography (Shi Yi)
Engravings to the Pith of Perfection (Zhang Ji)
The Far-Flung Wilderness
Foreword of Yu Chengyou's woodcuts
(Cao Mei)
"My Friends" and me (Zhang Minjie)
Zhang Minjie's Print-works and Paintings
Red Memory (Zhang Xiaochun)
Prints in my mind--brown caprice -----Zhang Xiaochun
Wang Bing and His Black and White Wood Carving (Lee Wen Chun )
Reconciliation of Pure Wild and Polished Refinement (Zhu Naizheng)
Brief Introduction to Wang Bing's Prints (Ian Brodrick.)
Fantastic Myth of The Qinghai-Tibetan Highland (Wu Chang Chiang)
The Last Romantic Singer (Wang Huaxing)
French Fabre Museum pays homage to artist Zao Wou-Ki
How to appreciate woodblock prints' three tastes
About Chu Teh-chun (Cheng Chung Liao)
About Zao Wou-ki (Cheng Chung Liao)
Artist's preface (Wang Bing)
About my artworks "The series of stones" and "The
series of warm winter" (Li Yanpeng)
Living in the modesty of nature (Dong Jiansheng)
Blue Iyricism-about Lü Min's
printmaking art (Jia Wei)
Meeting Lü Min and her
artworks (Duan Xi)
In pursuit of tranquility and beauty (Ma Ke)
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It is forty years since I
was involved in printmaking and my career as a graphic artist started in my
school days when, a middle school student, I tried to do woodcut just for
fun without anticipating that I would spend a lifetime to scale the heights
of graphic art.
Sincerity is the core of artistic creation. Only the
artist's genuine feelings from his inner world creates beauty. While spring
out the works to be published ,I found those worthy of appreciation were
done with sincerity.
In addition to serigraph in which I major, some prints of other kinds such
as woodcut printed in water-soluble ink and that printed in oil-soluble ink
are included in this collection. |
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The Chinese traditional woodblock prints printed with soluble ink, calls also Shui yin woodblock, has a brilliant history. The Shui yin woodblock prints are different from traditional Chinese paintings who express by line and Chinese ink;
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the Shui yin woodblock prints incarnate its features and characters by cutting and printing. We can appreciate a Shui yin woodblock print by its three tastes, graver taste, wood taste and water taste. |
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The exhibition "My soil and my people-70 years of Li Qun's printmaking |
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The exhibition "My soil and my people-70 years of Li Qun's printmaking art organized by Canton Art Museum, Chinese Artists' Association, Literature and Art Association of Shanxi province and Shanxi Artists' Association was held in Canton Art Museum from the 5, September, 2004.
There was only 70 years that Mr. Lu Xun began to spark plug Chinese modern printmaking, however it occupied a most glary page in the Chinese modern history.
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Mr. Li Qun is not only an eyewitness and participator of Chinese hardly and rough printmaking course, but also a deputy and out runner of Chinese modern printmaking. This time, 78 pieces of Li Qun's prints is shown, like "Lu Xun's portrait", "Harvest", "Spring night" and "Clear spring". Ai Qing appraised his artworks as "Lyric on the blocks".
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Hongyi printmaking studio exhibits |
Hongyi printmaking studio exhibits by now " New look of Contemporary litho in Hong Kong-2004"(09 September-13 September, 2004), it shows the latest artwork of printmakers of Hong Kong, they are: Li Dongqiang, Liao Shaozhen, Lin Huiru, Lv Huizhu, Kong Yaoming, Weng Xiumei, Liao Jingmei and Wu Xuanye.
Printmaking is different from the other art, artists should create indirectly by a media, it lay particular stress on technique and making process, artists can enjoy the pleasure during the printing. Because of the chanciness and unexpected effects, the other media can't replace the specialties of printmaking. But it's difficult to develop the printmaking at Hong Kong because of the limit of interspaces and equipment. |
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